There Are No Bad Precious Ones in the World

Pacing and Story Development The pacing in There Are No Bad Precious Ones in the World is carefully crafted to maintain the right balance between action, character development, and plot progression. Each chapter feels purposeful, with no filler material to slow down the narrative. The story builds steadily, with major plot twists and revelations that keep readers eagerly turning the pages. The careful pacing ensures that readers remain invested in the journey, always wondering what will happen next.

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Edith Irene Brussels had one secret: she had experienced possession. One day, she suddenly became Edith. In an entirely different era, in a foreign land she’d never even heard of before! And on top of that, with a strange ability that no one else could see. To return to her original world, Edith chose a contract marriage with the genius wizard, the Duke. “Will you marry me?” “Yes! I would love to!” However… “What’s this? Does she really think she’s the Duchess of the Duke’s house?” “Brussels? Has anyone ever heard of that family?” Nobles isolate her because of her fallen family background. “Fine by me!” Thinking positively and going about alone, she keeps encountering struggling children behind the scenes of high society. Comment [Appropriate action is needed for the Precious One.] “Lady, would you hold the child’s hand?” Unable to just watch, she steps in, and before long, she’s rumored to be a ‘problem solver. “Your Grace, I’d like to meet with you separately next week.” “Me too. Would you be able to come to our mansion?” How I, once the outcast in high society, became the number one on the invitation list. Just as she begins to adjust to the slightly changed atmosphere, now her husband is acting strange. “Is this something people usually say they like?” “Wouldn’t that be the case?” “In that case, what I like is you.” Oh my, who confesses like that!